hand carved

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Butterflies frequently appear in Chinese art and in Mahjong. The first image you'll see is a black and white photograph of a woman's jacket from the early 19th Century in the collection of the Metropolitan Museum.

 

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but I looked further and found this beautiful color close-up

 

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How beautiful is that? The butterflies are iridescent, multi-patterned and just breath-taking. (thank goodness for color photography!)

 

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And here are some simpler ones, with beautiful patterns nonetheless, on a vase from the late 17th Century, once again from the Metropolitan Museum. The ribbons seen between the butterflies add to the auspiciousness of the butterflies.

Butterflies have a lot of meaning to the Chinese. Many times the symbolism has to do with the way the word is pronounced. Because the pronunciation of the Chinese word  is somewhat similar to the word for a man in his 70s, the symbol of a butterfly may refer to that older man. Butterflies can also symbolize joy, summer, and marital happiness, giving the image many meanings.

 

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And here we have butterflies again, in this folk art type set we saw earlier in the blog, with butterflies on the two 2 tiles.

And of course we have one again here:

 

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Tile #2 clearly is a butterfly, but the image on tile #3 has always mystified me.

I wonder if it might be a chrysalis? The butterfly about to emerge?

 

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And I will end the post with a lovely orphan tile, one from a set of creature Flower tiles.

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The book I wrote with Ann Israel is being published by Tuttle. To see more about it:

www.mahjonggtheartof thegame.com

To order it click here:

http://www.barnesandnoble.com/w/mah-jongg-ann-israel/1118759459?ean=9784805313237

or here from Amazon

http://www.amazon.com/Mah-Jongg-Collectors-Guide-Tiles/dp/4805313234/ref=sr_1_7?ie=UTF8&qid=1414844427&sr=8-7&keywords=mah+jongg

 

 

Reader Tony Watson, whose google site is listed in the Resources area, has written a wonderful piece on hand-made sets.

Thank you Tony

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Close ups of each set now follow:

First set, French, possibly made by CF

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2nd set, a tiny one from Austria. with applied label

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3rd set, a very unusual one

$T2eC16N,!ygE9s7HHqhOBQtNh)1my!~~60_57

$(KGrHqF,!hsFCv6iDKSbBQtNiBzSSg~~60_57

 

4th set, handmade in Belgium of at least three different woods

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The book I wrote with Ann Israel is being published by Tuttle. To see more about it:

www.mahjonggtheartof thegame.com

To order it click here:

http://www.barnesandnoble.com/w/mah-jongg-ann-israel/1118759459?ean=9784805313237

or here from Amazon

http://www.amazon.com/Mah-Jongg-Collectors-Guide-Tiles/dp/4805313234/ref=sr_1_7?ie=UTF8&qid=1414844427&sr=8-7&keywords=mah+jongg

 

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Scan 5

These three photographs are beautiful sides of a Mahjong box that was in the collection of the Japanese Mahjong Museum, and scanned from their catalog. (If you ever can get one of the catalogs of their collection, do so. The sets are magnificent, as are the photographs.)

The children are enjoying their time together, with the groupings beautifully framed by the outside vines winding their way around the sides of the box. The children and vines are made of mother-of-pearl, inlaid into the box, and you can clearly see how the box was carved out for the inlays in the above photograph, which has a few pieces missing. You might notice the one boy with a firecracker in his hand, in the lower left box. The details on the children's faces are just delightful-it's amazing how the smallest etch in the mother-of-pearl could bring these little faces to life.

In Chinese art children were treated as beings who, just by being themselves, could bring great joy to the viewer. And their images carried with them the hopes that the viewers would have many children.

 

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Several of you noticed in the earlier post that the Chinese artists portrayed children the way they actually were, as opposed to the way in which European and American artists handled the subject. The following work was painted in 1760, and is in the Colonial Williamsburg collection. Interesting how serious the children look, even when holding a pet squirrel.

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Above is the Sleigh Ride by James Goodwyn Clonney done about 1845, from the collection of the Museum of Fine Arts Boston. At least here there is a bit of  smile on the faces of both children.

 

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And from the Metropolitan Museum we have The Golden Age by Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris). Although children were portrayed in a bit more realistic way by this French artist, they lack the rambunctiousness of the Chinese ones. It is almost as if the Chinese artists delighted in the naughtiness of children!

We started this post with the beautiful almost one hundred year old mother-of-pearl mahjong box from the Japanese Mahjong Museum, and we will end the post with a very new set, carved by one of the few people who is carrying on the tradition of designing and creating Mahjong sets, Dee Gallo from Red Coin Mahjong. Dee's newest set's theme is based on money, a reference to the original basis for the three suits of the game: coins, (dots) strings of coins (bams) , and lots of coins (craks). On one bouquet of Flowers she features children, very much like the ones we saw on the box, holding oversized coins. You can see the details she included: each child is an individual, with unique clothing and expressions. The coin on tile 2 shows bats flying around the center of the coin. The font of the numbers she uses on the tiles add to the theme of the set: copper plate. Her artistic talent and creativity harken back to the days of old, when master craftsmen created mahjong works of art on tiny tiles, with sets referencing different aspects of Chinese lore and culture.

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To see more of Dee's work, click here

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This beautiful ink and color scroll on silk is from the collection of the Metropolitan Museum. Dating from the 13th century, it was done by an unknown artist. You can clearly see children everywhere, chasing each other, riding pretend horses, sliding down slides (who knew these things existed back then?)

Children are one of the most popular themes in Chinese art, and frequently can be seen playing in a garden, as above. According to Ann Barrow Wicks and Ellen B. Avril, in Children in Chinese Art, children have had a prominent place in art since the Song period which lasted from 960 until 1279. Images of children meant a lot to people all over China, to people of all classes.

 

noble callings on Mahjong tiles, children
noble callings on Mahjong tiles, children

 

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These unusual hand-carved bone and bamboo Mahjong Flower tiles are from a lovely set of tiles.

Ray Heaton has translated the characters on these tiles for us:
"This set uses some fairly common words/phrases, but the images on the tiles are great aren't they!

Did you know there are two types of Chinese characters, Simplified and Traditional? The Simplified characters were "introduced" in the late 1950s and 1960s to help literacy in mainland China, although simple forms had been used for a long time before then, sometimes with local variation.  I tend to use Traditional characters so sometimes the characters I use may look a little different to those on the tiles if I forget to note a difference!  Much of this character simplification exercise from the 50s and 60s used the previously simplified forms or forms that were used in various handwritten scripts.  Hong Kong and Taiwan still use traditional characters.

So, taking the green Chinese characters first (the right hand set)...

The tiles are The Four Arts or the Four Arts of the Chinese Scholar, and were the four main accomplishments required of the Chinese scholar gentleman.
They are;
qin (the guqin, a stringed instrument. Tile #1,琴),
qi (the strategy game of Go or Chinese Chess, ,Xiangqi', Tile#2, 棋),
shu ( Chinese calligraphy tile#3,書) and
hua (Chinese painting tile#4,畫).

The last two can be particularly difficult to work out as the Chinese characters are often simplified in rather novel ways, a kind of short hand, and they get transposed with each other too.

And the other four, the red Chinese character set, shows the Four Noble Professions:

Tile #1, 漁, Yu, Fisherman
#2, 樵, Qiao, to Gather Wood, an abbreviated way of saying Woodcutter
#3, 耕, Geng, to Plow
#4, 讀, Dou, to Read or to Study

So these represent Fisherman, Woodcutter, Farmer and Scholar.

(You may also see the Four Noble Professions described as scholar, farmer, artisans and merchants.)

You may notice some real differences in the Chinese characters I used here (traditional) with those on the tiles (simplified). For example, tile #1, Fisherman, shows a character closer to 渔, which is the simplified version of 漁.

The tiles again reflect the desire for sons to maintain the family line and to perform ancestral duties; during the Ming period this extended to the hope for Guizi, or Noble Sons, who would excel in their studies and take top honours in the civil service examinations, and so bring wealth and high honour to their families.  So in the Ming period, boys began to be shown not just at play, but also showing 'clues' or symbolic references to wealth, fertility and distinguished success in officialdom.  I think your tiles are, then, referring back to such desires."

The images of the scholars and the noble callings have been given more visual and emotional interest by the artist by using children to showcase these symbols. The Scholar tiles ring as true today as they must have years ago. Don't they sum up to us how parents everywhere want good things to happen for their children?

To learn more about Mahjong's art, you might like to consider this purchase:

The book I wrote with Ann Israel is being published by Tuttle. To see more about it:

www.mahjonggtheartof thegame.com

To order it click here:

http://www.barnesandnoble.com/w/mah-jongg-ann-israel/1118759459?ean=9784805313237

or here from Amazon

http://www.amazon.com/Mah-Jongg-Collectors-Guide-Tiles/dp/4805313234/ref=sr_1_7?ie=UTF8&qid=1414844427&sr=8-7&keywords=mah+jongg

 

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Above we have the continuation from the earlier post this week.

Images continue to be somewhat cryptic. But these are the Four Professions, the four important jobs in China.

Starting from the left we have

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The scroll, one of the visual indications for a scholar. Following is the scroll seen earlier from the British Library, the oldest known scroll.

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The next tile deals with agriculture.

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You can see the signs of a farmer. The rake

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(photo from WWF)

behind what is probably a hat, which seems to have four strings, two to be tied under the chin and two behind the head, keeping the hat secure. Perhaps the design on the tile is a shorthand version for this type of hat.

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The next tile is also difficult to read, but it represents bundles of wood.

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Here is a recent photograph of a Chinese villager carrying a huge bundle of wood.

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And finally, the last calling is the fisherman.

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Once again the tile is cryptic, but if you look carefully you can make out the straight fishing pole and the wavy fishing line. But what is the other object?

I had the good fortune to see a collection of baskets from around the world. Much to my delight I happened upon this one:

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A Chinese fishing basket. Now you will be able to recognize the image on other tiles representing the fisherman.

 

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And these are capture tiles, required by some types of play: The centipede that will get caught by the rooster, and the fish that will be caught by the fisherman. Given the wavy line coming out of the fish's mouth, the fisherman may have already caught his fish. The capture tiles, which are bonus tiles, when paired correctly allow for extra points/money.

One of the most popular posts on this website has been the one written about the hand-carved three layer tiles we call tri-color. Many of us feel these tiles are under-appreciated  (read under-valued) at the moment, and deserve to get better recognition. These sets are particularly fun because there are so many Flower tiles, unlike most sets made in the 1920s and 1930s.

The most common back color seen on these tri-color tiles is green. Of course, the "tri-color" name itself is a misnomer, because the middle layer is clear lucite.

 

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It can be challenging at times to really understand the images seen on the tiles.

 

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The top row above has the seasons. I find it easiest to recognize the one on the left, with the little teardrops at the bottom. That is the symbol for winter, and if you see that, you probably are looking at the other three tiles being the other seasons.

 

 

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The easiest tile for me is the first one on the left, bamboo. Those two characters somewhat relate to each other, and that helps. On that line, the other characters are chrysanthemum, orchid and plum blossom.

 

 

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The 3rd row shows "abbreviations" of the four arts of the scholar. We often see these on lucite tiles as other tiles, and because they are so free of details it can be hard to recognize them. But they are:

Painting: many years ago in China painting was done on long scrolls that would be rolled up, looking like tile #4. There can sometimes be two rolls, which represents a scroll half-way rolled up.

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This is the earliest scroll ever found,dating from 868 in China, and it is found in the collection of the British Library, . You can see how it is rolled up, and how the abstract symbol on the tile resembles it.

 

From Wikipedia:

"The handscroll is a long narrow scroll for displaying a series of scenes in Chinese, Japanese, or Korean painting and calligraphy. The handscroll presents an artwork in the horizontal form and can be exceptionally long, usually measuring up to a few meters in length and around 25–40 cm in height.[2] Handscrolls are generally viewed starting from the right end.[3][4] This kind of scroll is intended to be viewed flat on a table while admiring it section for section during the unrolling as if traveling through a landscape.[4][5] In this way, this format allows for the depiction of a continuous narrative or journey.[6]"

For more on Chinese scrolls, click here

 

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This next tile was a bit tricky. It had been thought this represents an ink stone, because of the round hole seen on the top that would have been used to grind the ink stick into powder which would then be mixed with water to make ink for calligraphy. Reader Ray Heaton came up with the correct interpretation which was confirmed by a Chinese art Scholar.

From Ray:

"I suggest that the tile from the Four Arts described as showing an Ink stone rather shows a set of books that are wrapped and bound by ribbon (ribbons are used to show the auspicious nature of an object)."

The stack of books represents the learning required if one wanted to become a scholar and have a chance to get a position in government.

And certainly all of these tile images have the ribbons with them, indicating their auspicious nature.

 

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Go: A Chinese game played with round pieces. This symbol is sometimes also considered to be the game of chess. Both boards have small squares on them. Given we see two round pieces to the side and below the board, this may well be "go." or "weiqi."

From Wikipedia:

"Go (simplified Chinese: 围棋; traditional Chinese: 圍棋; pinyin: wéiqí, Japanese: 囲碁 igo,[nb 2] common meaning: "encircling game", Korean: 바둑 baduk[nb 3]) is a board game for two players that originated in China more than 2,500 years ago. Strategy is significant to the game despite its relatively simple rules.

The two players alternately place black and white playing pieces, called "stones", on the vacant intersections (called "points") of a grid of 19×19 lines (beginners often play on smaller 9×9 and 13×13 boards).[2] The objective of the game is to use one's stones to surround a larger total area of the board than the opponent.[3] Once placed on the board, stones may not be moved, but stones can be removed from the board if captured; this is done by surrounding an opposing stone or group of stones by occupying all orthogonally-adjacent points.[4] Players continue in this fashion until neither player wishes to make another move; the game has no set ending conditions. When a game concludes, the territory is counted along with captured stones and komi to determine the winner.[5] Games may also be won by resignation.

Go originated in ancient China. Archaeological evidence shows that the early game was played on a board with a 17×17 grid, but by the time the game had spread to Korea and Japan, in about the 5th and 7th centuries AD respectively, boards with a 19×19 grid had become standard.[6]"

 

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The above work is from the collection of the Metropolitan Museum, and the scroll shows scholars playing the game.

For more on "weiqi" click here

 

 

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Qin or lute: music. Every scholar knew how to play this instrument. The lute was often carried in a soft silk pouch.

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The remaining two rows will be discussed in the next post.

Our thanks to Tony for providing the Mahjong photographs.

***Reader Ray has suggested this might be a stack of books, tied with a ribbon. If anyone knows, please send me a comment. I will continue to try to find the answer.

Screen Shot 2014-06-08 at 1.52.52 PMAbove we have a full set of Royal Depth Control Bakelite tiles. I would guess this set was made in the 1950s, and it has many of the details we expect to see in RDC sets.

 

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Just above is a hand-carved three layer (tri-color) version of the set, made in the 1960s or 1970s, in Lucite. You will see there are interesting differences.

 

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We'll start with the Bams. You will notice the perching pheasant, which resembles other perching birds to the untrained eye. (Look at the 13 orphans website to learn what to look for in differentiating sets.) You can note the trademark Bam shape, with the notch between each section really dividing each section from the one before.

 

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And here is the hand-carved version. There's very little resemblance to the Bakelite cousin. These Bams have a thin, rounded shape, and the cute small pheasant is perching on a more horizontal branch.

 

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The Bakelite Dots have the floral interiors whereas the Lucite ones

 

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don't look even remotely similar, with their circular interiors.

 

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The Craks with their elaborate wans

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do look like the hand-carved version, but the numbers on these Lucite ones have a lot of personality, as do the Wans.

 

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The hand-carving does add flair to the Winds.

 

152-dragons

 

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The green Lucite Dragon is now facing another direction, but he still has wings, unlike the others. It really seems the White Dragon may well be a snake, don't you think?

And the real giveaway that it's a Royal Depth Control set, for most of us anyway:

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and the Lucite one:

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Interesting that on the Bakelite sets it is a Royal Joker, and on the Lucite it's a Big Joker (perhaps inspired by the name given by the National Mah Jongg League?). But no matter the name, we love them the same.

🙂

The Flowers from the Lucite sets will be explained in a future post coming soon.

We thank Mahjongmahjong for their photographs of the Bakelite set.

 

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The Museum of Fine Arts Boston has wonderful scholars rocks that were collected by Richard Rosenblum, a sculptor, which he and his wife Nancy donated to the museum. Here is an excerpt from the catalog introduction to the Exhibit:

"For more than a millennium, the integral relationship between nature and art has been a highly revered belief in Chinese culture, particularly among the literati (scholar-gentlemen). These men had great respect for nature’s ability to create its own "works of art." They avidly collected intriguing specimens, ranging from large eroded and calcified rocks that they positioned in their urban gardens to smaller "scholar objects" of wood or stone that they placed in their studios for aesthetic enjoyment."

Here are two rocks from that collection.

This one was found in the Qing  Dynasty, and mounted on this stand. If you look carefully at the stand, you will see it looks quite organic, and ruyi cloud shapes have been added.

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And here is another from that same museum with a similar type of stand, with a stand that looks more like those taihu rocks we looked at the other day.

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This one also dates from the Qing Dynasty.

 

Many of you probably remember the following tiles from previous posts, but there is a reason we are looking at them again.

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This unusual tile is from a set we've seen before. It represents a fisherman, one of the four important occupations, the others being farmer, wood cutter and scholar. You can see the umbrella the fisherman could use to shield himself from the sun, the basket for fish, and the fishing pole and line. There's also a smooth rock, at the bottom left, about the same size as the basket; given that its size is the same as one of the main objects in the work, the rock obviously has a great deal of importance.

 

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Again we see the need to feature beautiful mostly smooth rocks with flowers.

The other night we happened to come across some fabulous new takes on the classic interest in rocks in Chinese art. The very talented Li Hongbo has produced his own version of beautiful stones, and they are seen here in front of a flower pot, half cut off in this photo because I was not paying attention to the pairing of stones and flower pots!

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These really look like beautiful smooth stones, don't they?

But there is something else going on:

 

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They are actually made of paper!

Christina showed us the inside of the "rocks", made by a process based on Chinese paper lanterns

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Li Hongbo is truly amazing, and the process he goes through to make these creations is incredible. For a visual treat, please do click on these links:

http://www.businessinsider.com/chinese-artist-paper-classic-sculptures-2014-2

https://www.youtube.com/watch?v=gttdbqX4SWA

Li Hongbo's work can be seen at the Klein Sun Gallery.

http://www.kleinsungallery.com/artist/Li_Hongbo/works/

 

CURRENTLY SEEKING PHOTOS OF MAHJONG TILES AND BOXES SHOWING CHILDREN AT PLAY AS WELL AS FLAGS/PENNANTS/BANNERS, FOR UPCOMING POSTS. PLEASE EMAIL ME PHOTOS IF YOU WANT TO HAVE THEM FEATURED. IF THERE ARE OTHER SETS YOU THINK MIGHT BE OF INTEREST, PLEASE EMAIL PHOTOS TO ME.

KuanYin@MahjongTreasures.com

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A guest submission compiled by Katherine Hartman about a fabulous set in her collection, with very unusual One and 7 Dots and One Bam tiles. This set always makes me smile.

Katherine makes every effort to learn as much as possible about every set that comes her way. 

Meet WILSON! I saw this set about a month ago on Ebay and had to have it. My son named the set, Wilson after Tom Hank's friend, Wilson the volleyball, in the movie, "Castaway". See the one dot, those of you have seen the movie will understand.

 

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Michael Stanwick and Ray Heaton have had a very long look at the set. There was a very long discussion regarding the one flower that has the coin markings between the two of them. For all of you who are familiar with Michael's research, he has classified this set as a 1.1. Here are some of his thoughts:

"If you look at the way the 'West' and 'North' character are solidly engraved, and the position of all the cuts/strokes, you will see that they are identical to those seen in the 1875 Glover sets, the 1901 Laufer set and the 1909 Culin set. Compare these two characters to those found in the 1889 Wilkinson set and you will see they are different. Indeed, most sets have the N and S tile engravings that do not look like these old sets but look more like those in the Wilkinson set. (If you haven't got copies of The Playing-card journal you can see these sets on my web site.) Most of the sets in my collection that are in this 'old style' have these types of engravings and they tend to go hand in hand with the so-called pointed leaf shaped bamboos and with a String of Cash on the 1 bamboo. But what happened later was that these sets began to show hybridisation and so began morphing into unusual combinations of engravings - but still with these tell-tale N and S tiles AND the Seasons. Look at the Seasons in these pics. The engraving is bold and the characters are pretty large and in the middle vertical line of the tile. These are all indicators that this set was engraved by an engraver/manufacturer of the old style tradition or someone using the old style to engrave the set. My opinion is closer to the former... If you look at the red sinograms for the  four seasons, you can see that they are fairly large with bold strokes (heavy strokes but with gusto! as opposed to the more restrained type of strokes seen in many other 1920's sets). In the Glover type sets you usually get the four seasons sinograms bang in the middle of the tile and with a frame of sorts around each one. In your case, we have pictures of plants sharing each tile but the sinograms are still on the centre vertical axis but not on the centre horizontal axis (since the picture has forced the sinogram up to the top. So there is still an acknowledgement that these sinograms should be in the centre of each tile and they made an effort to do so."

Ray THANK YOU for these translations of the flowers! From Ray:

一統山河

These are Yi Tong Shan He, or (word for word) One, Unite, Mountains and Rivers. Mountains and Rivers together is a way to refer to "the whole country", and so this phrase translates to "To unify the whole country" or a little more simply as "A united country". The other four show 春夏秋冬. These are Chun Xia Qiu Dong, Spring, Summer, Autumn and Winter (I suspect you recognized those!) And on the 1 Tile, reading top, bottom, right, left 民元 Min Guo Yuan Boa, Republic of China Silver Ingot. Such characters appear on coinage from the ROC period, but I don't see why this relates to the tiles.

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Today's post is about a rare French Ivory set that was owned by Katherine Hartman. Many of you know Katherine has been studying Mahjong and its history for quite a few years, and she has a lovely collection of sets and ephemera. This is a set she sold several years ago.

French Ivory is made by layering two slightly different colors of plastic on top of each other to mimic real ivory. If you look carefully at these tiles you can see these lovely striations on the tile faces. The Flowers are unusual in that there are as many as 16, and they feature somewhat quiet looking vignettes of ladies having tea with much more active and wild scenes of combat, as seen on the bottom tiles. The carving on all the tiles in this set is especially lovely and delicate.

Following this photograph are the translations and related research for the Flower tiles, provided by Ray Heaton. You will notice the tiles read from right to left.

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The first row are 蓮花公主, Lian Hua Gong Zhu meaning "Lotus flower princess". I don't know who this is referring to, but I came across a Chinese play with Princess Lotus Flower as the title. In the early 1900s Chinese theatre developed "Chained-sequence plays", or Luanhuanxi, which was a programme of alternate live theatrical performances and film screenings, with 5 or 6 transitions. The requirement of having the same actors on stage and on film was logistically complex and too expensive and so they went out of fashion. Princess Lotus Flower was one such chained-sequence play from 1925 and is mentioned in the book Chinese National Cinema by Yingjin Zhang.

Second row are 文明世界 Wen Ming Shi Jie meaning "A Civilised World", and seems to be a fairly common phrase on various MJ sets.

Third row are 春風得意, Chun Feng De Yi, (May You Rise High with the Spring Wind).

This can be translated along the following lines; "to be pleased with oneself", "be flushed with success" or "be proud of success" and is a phrase that may be used when referring to the passing of exams, for instance.

The fourth row are I think, 深山鬥法, Shen Shan Dou Fa. A rather challenging set of words for me to understand when placed together! The first two mean "remote mountains" or "deep in the mountains". The second two have two distinct meanings, either "the exercise of magic powers against each other" or "to use stratagems"! So if we use the images on the tiles to help, maybe this is about practising military strategy or martial arts deep in the mountains. I haven't found other references to this phrase anywhere else.

HI, the 深山斗法 mean someone challenge in mountains

Make sure to note the ladies are smoking cigarettes! You can see this row 2 tile #1, and Row 3, tile #3!  Many collectors have to deal with cigarette damage on tiles, but here the tiles themselves have smoking scenes, probably to make the ladies seem more elegant and cosmopolitan, as they thought at that time. Interior design elements abound, including tablecloths and fabric patterns on the chairs.

A completely different kind of location is shown on Tile 1, Row 1: a lady is standing on round circles. These circles refer to clouds, meaning the scene is taking place in the Heavens.

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These are typical of the remaining tiles from the set. You must have immediately noticed the beautiful White Dragon, seen here as four butterflies.