style of carving

Scan 3

The beautiful dish seen above dates from the middle of the Ming Dynasty and is in the collection of the Netherlands National Museum of Ceramics. You can clearly see the four different varieties of fish, with the carp on the middle upper right, at 1:00 o'clock, recognizable by his barbels. The Chinese word for carp is bai, interestingly also translated into English as one hundred, so the word itself connotates success. The other fish are qing, a fresh water mullet, a lian, a kind of bream, and a gui, a mandarin fish with a large mouth, seen at the 4 o'clock position.

C.A. S. Williams writes

"Fish forms an important part in the domestic economy of the Chinese. Together with rice it constitutes the principal staple of their daily food, and fishing has for this very reason formed a prominent occupation of the people from the most ancient times.... the fish is symbolically employed as the emblem of wealth or abundance, on account of the similarity in the pronounciation of the words yū, fish, and yū  superfluity, and also because fish are extremely plentiful in Chinese waters...."

 

While doing research for these posts, it seems that  scenes appear on some forms of art more often than on others. There seems to be a big overlap with scenes on Chinese porcelains and Mahjong tiles. The design style principles seem to be the same, but the subject matter, and ways of showing the subjects are  similar with porcelain and Mahjong.

 

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These are two more  Flower tiles belonging to reader Bill, from the same set as the carp we saw the other day. You can see how both fish are different, one from the other. Their heads, bodies and tails are distinct, and probably can be easily recognized by people who know their fish. It is not clear what the object is on tile #1, but the crab is easy to make out on tile 2. The beautiful deep blue water on these tiles is another visual treat.

Studying tile #2 a bit more, I noticed the fish's tail is breaking the surface of the water. I wonder if it might be a sturgeon, a type of fish treasured by the Chinese, which is unusual in that it lives in both fresh and salt water, although on this tile you can see the artist clearly intended this to be salt water, given the presence of the crab.

From Wikipedia:

Most sturgeon are anadromous meaning they spawn in fresh water and migrate to salt water to mature.

The Chinese sturgeon can be considered a large fresh water fish, although it spends part of its life-cycle in seawater, like the salmon,[4] however; Chinese sturgeon spawn multiple times throughout their life.

The Chinese sturgeon has a habit of upstream migration: they dwell along the coasts of China's eastern areas and migrate back up rivers for propagation upon reaching sexual maturity. It has the longest migration of any sturgeon in the world and once migrated more than 3,200 km (2,000 mi) up the Yangtze.[5] The sturgeon's reproductive capacity is poor: it may breed three or four times during its life-cycle, and a female sturgeon can carry in excess of a million eggs in one pregnancy, which are released for external fertilisation when mature. The survival rate to hatching is however estimated to be less than 1 percent.[4]

 

 

 

 

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A guest submission compiled by Katherine Hartman about a fabulous set in her collection, with very unusual One and 7 Dots and One Bam tiles. This set always makes me smile.

Katherine makes every effort to learn as much as possible about every set that comes her way. 

Meet WILSON! I saw this set about a month ago on Ebay and had to have it. My son named the set, Wilson after Tom Hank's friend, Wilson the volleyball, in the movie, "Castaway". See the one dot, those of you have seen the movie will understand.

 

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Michael Stanwick and Ray Heaton have had a very long look at the set. There was a very long discussion regarding the one flower that has the coin markings between the two of them. For all of you who are familiar with Michael's research, he has classified this set as a 1.1. Here are some of his thoughts:

"If you look at the way the 'West' and 'North' character are solidly engraved, and the position of all the cuts/strokes, you will see that they are identical to those seen in the 1875 Glover sets, the 1901 Laufer set and the 1909 Culin set. Compare these two characters to those found in the 1889 Wilkinson set and you will see they are different. Indeed, most sets have the N and S tile engravings that do not look like these old sets but look more like those in the Wilkinson set. (If you haven't got copies of The Playing-card journal you can see these sets on my web site.) Most of the sets in my collection that are in this 'old style' have these types of engravings and they tend to go hand in hand with the so-called pointed leaf shaped bamboos and with a String of Cash on the 1 bamboo. But what happened later was that these sets began to show hybridisation and so began morphing into unusual combinations of engravings - but still with these tell-tale N and S tiles AND the Seasons. Look at the Seasons in these pics. The engraving is bold and the characters are pretty large and in the middle vertical line of the tile. These are all indicators that this set was engraved by an engraver/manufacturer of the old style tradition or someone using the old style to engrave the set. My opinion is closer to the former... If you look at the red sinograms for the  four seasons, you can see that they are fairly large with bold strokes (heavy strokes but with gusto! as opposed to the more restrained type of strokes seen in many other 1920's sets). In the Glover type sets you usually get the four seasons sinograms bang in the middle of the tile and with a frame of sorts around each one. In your case, we have pictures of plants sharing each tile but the sinograms are still on the centre vertical axis but not on the centre horizontal axis (since the picture has forced the sinogram up to the top. So there is still an acknowledgement that these sinograms should be in the centre of each tile and they made an effort to do so."

Ray THANK YOU for these translations of the flowers! From Ray:

一統山河

These are Yi Tong Shan He, or (word for word) One, Unite, Mountains and Rivers. Mountains and Rivers together is a way to refer to "the whole country", and so this phrase translates to "To unify the whole country" or a little more simply as "A united country". The other four show 春夏秋冬. These are Chun Xia Qiu Dong, Spring, Summer, Autumn and Winter (I suspect you recognized those!) And on the 1 Tile, reading top, bottom, right, left 民元 Min Guo Yuan Boa, Republic of China Silver Ingot. Such characters appear on coinage from the ROC period, but I don't see why this relates to the tiles.

metwuchangshuo 1844-1927

This work by Wu Changshu (1844-1927) is in the collection of the Metropolitan Museum of Art. Here we see lovely delicate orchids, wisp-like in their appearance.

 

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Mahjong tile carvers often kept to the ethereal appearance of this lovely flower. On this bone and bamboo tile we have just a hint of the blossom.

 

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Here is a tile, from what is thought to be an unusual Rottgames set, showing an orchid  which has the same delicate quality as the bone and bamboo versions.

 

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The plant above is so abstract it is difficult to make out much about it, although it seems to be growing in front of a rock in the pot.

 

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This russet beauty, from a rare Ashton & Rietz set, shows the same feathery treatment of the blooms we saw earlier.

We will end this post with photographs of orchids found at the Inkaterra Hotel near Machu Picchu, Peru. The hotel has one of the biggest collections of orchids (372 varieties!) in the world. Some orchids are so tiny you can only really see them with a magnifying glass. The ones seen here are bigger than that though.

 

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With all the variety seen in this plant , it is easy to understand why the Chinese were so entranced by it.